All Souls by Javier Marías

By Javier Marías

At excessive desk in an Oxford university, the gorgeous younger teach Clare Bayes attracted all eyes, now not least to her fetching decollettage. No one's eyes have been sharper, even though, than these of the traveling Spanish lecturer, invited as a visitor in this party, and at last the 2 youth have been enthusiasts, unbeknown to Clare's husband. And if the Spaniard was once at pains to hide their tracks, his liked left facts of adultery with homosexual abandon - and all this in a college that used to be a forcing residence of gossip and intrigue, a spot the place "at each notice a name dies".

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Creating books for the young in the New South Africa (pp. 12–20). Jefferson NC: McFarland. Hofmeyr, D. (1990). A red kite in a pale sky. Cape Town: Tafelberg. Inggs, J. (2004). Space and race in contemporary South African English youth literature. In Change and renewal in children’s literature (pp. 25–33). Westport, CT: Praeger. Inggs, J. (2007). Effacing difference? The multiple images of South African adolescents. English in Africa, 34(2), 35–49. Inggs, J. (2014). Listening to others: Jenny Robson’s books for young South Africans.

Soweto: Black revolt, white reaction. Johannesburg: Ravan Press. Ludman, B. (1989). The day of the kugel. Cape Town: Maskew Miller Longman. McDonald, P. D. (2009). The literature police: Apartheid censorship and its cultural consequences. Oxford, New York: Oxford University Press. Merrett, C. E. (1994). A culture of censorship: Secrecy and intellectual repression in South Africa. David Philip. Mokadi, A. (2003). Narrative as creative history: The 1976 Soweto Uprising as depicted in Black South African novels.

The work has been described as simultaneously post-colonial and young adult, as Be’s own maturity and sense of identity emerge along with Namibia’s identity as a nation and the recognition of Be’s people’s right to traditional land. Stephenie Yearwood suggests that it is this hybridity that contributes to the success of Beake’s novel, which features: …a protagonist who is simultaneously a hunter-gatherer and a postmodern critic of the ethnographic gaze, a narrative form that is part retrospective self-analysis and part romance novel, and a cultural setting which recognizes and values the past yet embraces a changed future with great optimism.

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